"Just now, even more than before the war, I feel the need to be in the cities among my fellow men. This is where our place is. We must take part in the whole misery that is to come. We must surrender our heart and nerves to the dreadfull screems or pain of the poor dissillusioned people...our superflous, self-filled existance can now be motivated only by giving our fellow men a picture of their fate and this can be done only if you love them." --Max Beckmann p32

from the book Max Beckmann by De Peter Howard Selz, Max Beckmann, Harold Joachim, Perry Townsend Rathbone

'Brokenness: Maphibosheth at King David's Table'

by joel klepac

This is one of 9 paintings based on the lifestyle celebrations and input from the community in Romania over the past year. We hope to have them up on the chapel walls in the next few weeks. I am still thinking about how they might be presented online.

Beauty and Worship: Art for Contemplation, part 3

In 'Art for Contemplation' I am thinking of active reflection using a medium (words, colors, shapes, film, clay, etc) giving a high level of attention while releasing control of the outcome of the reflection. In the paradigm of Friere's, Pedagogy of the Oppressed, this would be a way of reflecting on our action or 'Praxis'.

Rouault landscape.

Some of Rouaults works like his King David painting were said to have been worked on over a period of 50 years. The textures and colors, scrapes and pulls of the paint are the material of his contemplation of life as he experienced it. One just needs to stand in front of His paintings to see layer after layer built up until some portions of the painting will rise above the surface of the canvas an inch or so.

Francis Bacon 'Crucifixion'

Here is a Francis Bacon trip tic I saw in England. It is a horrific painting. One only needs to remember that he was contemplating the state of humanity post World War 2. Maybe it is horrific but accurate as well and therefore helpful.

This is a shot from the Andrei Tarkovsky film 'The Sacrifice'

Andrei Tarkovsky the Russian film maker used slow choreographed takes so that he could cut the film as rarely as possible. In doing this he reflects the time of human experience. There is a sense of space and breath. Watching his films is like crawling into the skin of a monk for a couple hours and seeing the world through the eyes of a contemplative. Tarkovsky teaches us contemplation as he offers us his sense of time and composition in the film.

Hans Hoffman

Hans Hoffman paintings demonstrate an incredible beauty, specifically diversity in unity. In any image abstract or narrative which brings together any diversity into unity is a symbol of the Holy Trinity. It gives you a visual 'proof' of the real possibility of unity in diversity. Anything beautiful in this sense is an icon of the Holy Trinity. More than many other abstract expressionist painters Hoffman has a sense of the spiritual transcendent radiating from his work.

In this pieta the visual curving form of the body becomes a theological aesthetic way to deal with grace. Visual grace participates in the truth of redemptive theological experiential grace. The form of the art is created to contemplate and aid in the contemplation of the spiritual realities depicted.

charcoal drawings by Sarah Lanse

Similarly Sarah has used here the process of charcoal drawing to contemplate her experiences of the suffering of the women she is working with. There is a real black and white, death and life severity to the drawings. Calcutta is far from a black and white place visually but certainly life and death are most present to the senses than in many other more insulated places in the world.

Micheal Nye is a great contemporary photographer who incorporates audio stories of persons being photographed. He has a show on living with mental illness with beautiful insightful photos of people he collaborated with and their accounts of how they experience life. It is startlingly personal and intimate. His process of photographing and audio interviewing is a great way of being attentive to another person, humanizing then, and discovering their unique story. When we spend time contemplating the individual lives of the poor in dignifying ways we find empathy and common humanity with the poor.

Art for contemplation is also a means of gaining insight, understanding and building empathy.

Here are some ideas to consider...

• Journaling- high attention to what happened (or what is happening) without controlling the outcome of the reflection.
• Drawing- simply sitting down and drawing from life can be a great way to hear God speaking through the tree, river, or the person drawn.
• Open ended Drawing, painting, writing. (ex. Creating a set of characters with personalities etc, and then letting their personalities decides the outcome of the story)
• writing poetry- Josh Fowler some public, some private reflection.
• Video editing- bringing together themes in audio and video material. Reflecting on the content of the pieces and finding the connections between the parts. The stuggle with video or other digital media seems to be that the process can be so quick there is no space for contemplation. It takes discipline and patience to give the though and attention to create pieces which are going to also draw others into contemplation.
  

Click here for more examples of 'Art for Contemplation'

Contemplation should start in awe and play so that the good seeds of contemplation may be nurtured and grow in order to offer us their life giving songs. Without this deep saturation in contemplative experience of creation our art has little chance of transcending personal opinion and wishful thinking.

• In 'Art for Contemplation' we are ‘gathering’ together the theological truths as they express themselves in creation, in all its processes, shapes, and colors. Contemplation is a focused way that faith and experience are integrated.
  

We had a psychotherapist sharing with the community this week. In part he dealt with clinical attachment styles. One of which is Anxious Ambivalent Attachment. This is the case when the child distances herself as a way of coping with the insecurity of the environment. The mother may well be loving and well intentioned but just isn't able to or doesn't know how to give the child a base of love and consistency. Often there is an alcoholic in the mix creating instability. It reminded me of this strange painting I did a while ago and gave as collateral to the local gallery for showing in their space. At the time it reminded me of Dostoevsky's salad bowl mix of persons disorders working off each other. Now I just think it rings true to the deprivation many of us live in and live as if there were no other reality.

art for therapy

Here are two of four very similar panels. They are somewhere around six feet tall on unstreatched canvas. I am wondering if I shouldn't try working this way on handmade paper.

This was part of a series of paintings I did a few years ago. We were doing drawing sessions with a few artists in our community at the time and this yeang man had been off the streets and off of drugs for a few months. He was an imortant voice in our community. I liked how the bookshelves in the back became unnamed compartments, like the un discifered letters, pointing to the mystery of who we are. I appreciate the moments when I have been able to directly draw or paint people who never saw themselves as worthy subjects.